There’s a reason it’s called “falling in love...”

I decided to break the seal on a box of notebooks I wrote when I was in my early 20s (that I had packed and taped up in 1996). Reading my 22-year-old self fervently swear that she’ll never fall in love again makes me feel sad, mostly because she didn’t. Almost, but not really.

At 22, I was intensely passionate about many things—not eating red meat (the hormones! The red dye!), writing, feminism, literature (I had just discovered Anais Nin and Henry Miller, if that tells you anything), and love (again, the hormones!). I believed everyone had a soul mate just waiting for them out there in the world, and it was up to me to find him. Over a five year period, I recorded the turbulence of my love life in painstaking detail on page after page. I wrote about infatuations, crushes, obsessions, attractions, and love. Every time, it was the “real thing.” And every time, passion became my poison.

If these notebooks are an accurate depiction of what my I knew then, I can say I have learned a few things in years since. I no longer believe that everyone has one soul mate; I think we have many, and that people are drawn together by fate and circumstance. I no longer believe that such thing as an easy relationship exists or that the level of difficulty has anything to do with love.

I’ve also learned how to protect myself. After putting the pieces of a broken heart haphazardly back together time after time, I decided that spending the rest of my life shielding a heart of glass wouldn’t be a wise move. And I stopped letting other people in. 

Suppose love came knocking on your door. Would you turn it away with a “sorry, all stocked up on that here?” Pretend like you weren’t home? Chase it down the street with a baseball bat? Or would you open the door, smile, and thank it for being so punctual?

What I did was design a complicated mess of a barricade, complete with traps, skill tests, checklists, pulleys, ropes and, I think at one point, even a moat. If someone wanted in, he’d have to run the gauntlet, suffer the proving ground, navigate the emotional land mines, and pass every test. Should he make it through unscathed, I’d make certain he was sorry he even tried.

What I got for my efforts was a series of superficial relationships that never developed any depth or longevity. Or intensity. Or passion. And when they ended, I felt no more than a twinge of regret…a far cry from the anguish I experienced over breakups in my twenties. My thirties were not as melodramatic, but I sacrificed passion for peace.

I am not certain what I expected to find by reading the angst-ridden messages from my 22-year-old self. I hoped to discover that I am better off now than I was then, but I don’t think that’s true. I do mean it when I say I am happy being single, but I’m beginning to understand exactly what I’m missing out on by protecting myself so carefully. Without heartbreak, love and passion are watered-down versions of the real thing. Until now, I didn’t even realize that I missed the full-strength version.

There’s a reason it’s called “falling in love.” At its core is an element of letting go, even if you know there is turbulence ahead, that you’re signing up for an emotional roller coaster ride, and that it might end in tears. The only thing gained by crawling into your shell is, well, a really comfortable shell.

I’ll have to find a happy medium between being head over heels and in over my head if I want to experience the kind of intense emotion the 22-year-old me knew all too well. As for the happy ending, just consider me “in production”—I know that this movie won’t have an ending until I find a way to take heart instead of losing it.

Today I try to do one thing...

(photo: Magnus Jälthammar)

Sharing the love and the weird...

Aleigh used to write these great blog posts on things her friends said via email (I think that's what it was called). I'm stealing the idea, except with texts. I didn't even ask if I could. The two of us and another friend, who I will call "Erin" (because that's her name), have had a years-long group text exchange. I can't remember when it started...sometime in the year after I moved to Austin...but I know it will probably last forever. I hope it will. They make me laugh like no-one else can.

Also science says having friends is just as important to your health as exercise. I text/talk to these two waaaaay many more minutes than I spend at the gym.

Two notes: 1) none of these texts are work-related and 2) many of the phrases are mine, but I'm not saying which ones; nor am I identifying the others.

• You know you're getting older when you spend more money on makeup and food than booze.
• Age defy all the things!
• Dear god asparagus. Why? WHY? You know that scene in The Exorcist where the priest's mom goes "why Dimi why you do dis to meee?" That's what I feel like saying to asparagus after I pee.
• Not that I have ever noticed. Maybe I just can't smell it!
• My mother is taking pictures of her TV screen and texting them to me.
• I need a million dollars, stat.
• Quick get Satan and make a pact. 
• I used to have him in my contacts but the last time I texted him he was all like "new phone who dis."
• Satan is an asshole. I texted that I needed to remove four years from my life that I wasted on shitheads and all I got was LOL GRRRRRL.
• You definitely need a lady's maid. 
• I rang a fucking bell for some cottage cheese and blueberries like an hour ago and bitch still hasn't shown up. I HAVE TO WALK TO MY KITCHEN.
• Please save me.
• I think if I cried more often I'd be a better person.
• Okya I’m drrunka.
• Feel free to smack me the very next time you see me if I have become annoying.
• Me when it was time to leave work for the holidays:

I love these group text exchanges. I live for them. There's an awful lot of talk about bodily functions, things that shall never be repeated, even if attributed anonymously. I have announced that I was renaming Thanksgiving "Bakesgiving." Once there was a three-day long exchange about malevolent vaginas. And it was funny as hell. But there was also a day-long exchange about the relevance of historic landmarks and whitewashing history (we have these sometimes so we remember that we're smart).

We live states apart, but laugh and cry together as much as we ever did when we lived in the same city. No matter what happens in my life here, these two are always in my pocket. I'm not very good at telling people how much they mean to me, but I have no trouble telling these two lifelines how much I love them. I hope everyone is so lucky.

The funny thing is...

Even when you stopped allowing the men in your life to break your heart, the thing that surprised you most was that it could still be broken — by Life, by Loss, by Things Outside of Your Control. Sometimes they didn’t just leave you and go somewhere else; sometimes they really left you and everything else in this world. When that happened, there was no ex. There was no second act, no breakup sex, and no opportunity to wait for him to come crawling back just so you could turn him away one last time.

Instead, you were left begging under the weight of the universe, asking Providence for one more chance, calling Fate at three o’clock in the morning to sob your heart out.

You did what a lot of girls do; you tried to move on. You went out nearly every night, hoping to run into Divine Intervention, or even Chance or Fortune—you weren’t picky then.

But no matter how alluring, no matter how charming, no matter how hard you tried to conceal your desperation, you brought evening after evening to a close with Grief.

Best American Horror Story yet (and I'm going to miss it so)...

There were a lot of plot inconsistencies and strange choices this season, definitely not as scary as AHS Murder House or AHS Asylum, but AHS Coven wins "Best AHS" on my list for one reason: Stevie effing Nicks.

Stevie made a guest appearance in one episode as a witch (and idol of Misty the Swamp Witch, see GIFs above), plus the season finale opened with "Seven Wonders" and an intro that harkens back to the olden days of swoony music videos. If you check out popular Google search terms for AHS Coven + Stevie Nicks, you can almost see all of the 20-somethings trying to find out who this magical, shawl bedecked, twirling pagan princess is and how they can buy the music. Here's hoping that Stevie got a huge iTunes bump from the show. Also that wearing black is the new black, because on Wednesdays they wear black.

Did you watch? Do you DIE? Shouldn't Jessica Lange and Angela Bassett be in a movie together? Is there any role that Kathy Bates cannot nail like a boss? Will you keep the Stevie Nicks episode on your DVR until you can buy the whole season online?

Just because it's fiction doesn't mean it's not real...

All writing is personal. And sometimes the best writing feels awful. I cut my teeth on personal narrative, though I didn't know that's what it was called at the time. I've written lots of fiction too, way more than the occasional short stories published in rather obscure literary journals. I even have a novel in a box, where it will probably live forever. Once I became accustomed to "letting it all hang out" with my writing, I needed fiction less and less often. 

A longtime friend and I have a running joke that came from the movie Postcards from the Edge (based on a book by Carrie Fisher). Whenever we have an experience that causes extreme public or social embarrassment, we shake it off with "it twirled up." In this scene, the daughter accuses the mother of inappropriate behavior. Her response? "IT TWIRLED UP."

When I coach writing clients who are working on personal narrative or memoir (or blogs), I often tell them that hitting "send" or "publish" for the first time is going to feel terrible. It's going to feel like your skirt blew up in public and everyone saw your panties. You'll feel exposed and vulnerable. And then you'll get used to it, eventually.

In the past few years, I've written more fiction than I did in college intensives. More than the novel in a box. It was a panacea for feeling like I lost my sense of humor, the tongue-in-cheek voice I had taken for granted for so long. Shit wasn't funny anymore and I had no distance. A therapist suggested I write about everything, but do it in the third person. So I did. And it made me remember why I started writing fiction in the first place. 

With personal narrative, especially humor, hyperbole is acceptable and expected. But it's still oops-it-twirled-up honest. Fiction gave me the freedom to tell the story any way I wanted to, to end it any way I wanted to, and the distance I needed so that it wouldn't make me sad. I've heard other fiction writers say that their work has no basis in their own lives, that it's entirely made up, and I believe them. Sort of. I have fiction writer friends who openly admit their stories are thinly disguised events from their lives. Joan Didion's fiction was (though she's better known for memoir). So was Nora Ephron's, Heartburn in particular. 

In the spirit of twirling up, for every writer I've ever encouraged to push "send," I'm going to share a cringe-worthy (at least to me) snippet of a short story that was published several years ago in a now defunct literary journal. The story is called "Running Away." 

Following suddenly interested in running father to country club track. Watching him on the pay phone from a distance. Healthy, running 5Ks and marathons and away. From my mother, with her quiet cancer. From four daughters with their female neediness. Running away from same, same, same houses on a military base where class mattered less than rank. His poor farming family. An Irish mob of a family in a tiny New York town across the Saint Lawrence River from Kingston Ontario. From dirt and poverty. Weekday mornings in his officers uniform, snapping his collar, snapping at females and poodles and leaving behind a sickeningly sweet cologne cloud.

Weekends, already getting fat at age nine, I put shorts and sneakers on. Followed him out of the house in the early dawn. Ran several yards behind him, knowing he saw me and only that he didn't order me to return home. Running to catch up. Running the miles around the houses on base until he stopped. In the lot of the officer's club. There was a pay phone outside. He held up his hand, motioned for me to turn back, left me behind until he was out of earshot, picking up the phone, cradling the receiver with his back to me. I wait. Stretch. I know. I know everything.

I would prefer this story die with it's out of print, never digitized publisher. It's awkward and weird and I think I was 22 or 23 when I wrote it. But fiction? Sure. Why not? From the age of 11, when my biological father left my mother the day after Christmas to move in with his girlfriend and start a new and improved family, I told people my father was dead. That I never knew him (this is true, and he might actually be dead now because I haven't had contact in years). It was easier than the complicated truth, that he left our family while my mother had just begun treatment for cervical cancer, that the only thing that saved us is that he was in the military and thus forced to pay child support. That he wanted nothing more to do with us. This fiction was the part of me that admitted the hurt and the guilt of knowing just how long before the leaving that the moving on began. 

This is a story I will never be able to tell as my own narrative, but it can still be told. It is not something I still grieve over. I've had a lot of good experiences in my life with men, fathers of friends, that showed me that men can love their daughters even though mine didn't. My "daddy issues" are no worse than most. I stopped trying to replace him a long time ago, around the time this story was published, maybe even because it was published. 

Writing is how I choose to heal, whether the words are truth or revisionist history. I could have made the story end in a different way, made my father a different man. I could write it three more times and have three different trajectories. But I don't have to because it's out there and it doesn't matter anymore. All of this is to say: I hope you get to know what it feels like, even just once, to let it twirl up. 

It's December in Austin, which means...

A high today of 87 degrees! It was 55 when I woke up this morning. After four years (end of this month) in Austin, I don't think I'll ever get used to the temperature fluctuations. My windshield keeps cracking. It's something about the laws of physics and sciencey things that happen when hot things get cold and vice versa.

Anyhoochie. I'm not going to apologize for taking a break from posting because it makes me hate myself (the apologizing, not the taking of the break), but I wanted to tell you about the weather. I went for a walk outside this afternoon in the boots I wore to work because it was 55 degrees this morning and now I feel sweaty. When winter comes to Austin though, it doesn't f*ck around. This weekend? Highs of 39 degrees, lows 29-31 degrees, plus 50-60 % chance of rain. Happy we had a cold snap a few weeks ago that motivated me to dig out my winter gear because I'm going to need it.

Speaking of winter gear, here is a photo of my dog in a Snuggie™. She has one. I don't. Because I figured out how to use a remote control and a telephone while being warm and simultaneously covered by a blanket a long time ago. (Snuggie lovers, I do not judge...unless I see you in one at the grocery store because my mother raised me right.)

The cutest EVER, right?

Stay warm wherever you are!

Because we all want to write more better...

I used Grammarly to grammar check this post, because if everyone did, I wouldn't be a comma fucker.

I've been a writer since I could string together a sentence. I've been an editor, professionally speaking, for more than 10 years now. I love language, words, sentences, breaking rules, playing with subtext. These things make me happy. What makes me sad also makes me an asshole, a "Grammar Nazi," and apparently, a "comma fucker." I present the evidence, shared by a Facebook friend earlier this week:

So yeah, Finnish: "pilkunnussija" literally translates to "comma fucker," or someone who corrects little or meaningless things.

Over the years I have learned that most people don't like to have their grammar corrected (exception: writers handing over manuscripts for an extended and intentional bout of comma fucking). I still do it silently. I no longer read comments on news stories or web sites. I hide Facebook posts by people I care about because I just cannot with the poor spelling and grammar. I cringe at an erroneous possessive apostrophe. I've sent kind and gentle (my opinion) emails to local businesses with misspelled signage.

In my defense, I don't do these things to feel intellectually superior. I do them because I have a dream. It's a big one, but I cling with every fiber of my being. I dream that every single person in the English-speaking world will complete early childhood education with an ingrained understanding of the difference between "your" and "you're" (yeah, I'm so fucking hung up on this that I once declined a second date with a repeat offender texter). I hope to never again have to explain that the correct idiom is "dog eat dog world," NOT "doggy dog world" (yes, this is a real thing that happened). And someday, in this perfect world, I will never again have to explain to a college graduate the difference between active and passive voice.

Trust me, my own mistakes make me cringe just as hard. I rarely read magazine pieces I've written once they have been published, lest I discover that an editor missed a wayward comma splice, misspelled word, or (gasp) changed my correct language to something less than correct. This blog is full of mistakes. There is a post somewhere around here in which I used "to" instead of "too." I beg your forgiveness, but use this example to illustrate 1) I am not a perfect comma fucker and 2) The fact that I discovered this error in hundreds of pages of archives and still remember it proves that I am harder on myself than anyone else.

I could go on about how texting and social media and a failing public educational system has ruined language, but I don't even use proper capitalization or punctuation in IM or emails to friends, so apparently I don't care. What I do care about: Journalism. Literature. Why media outlets thought it was a fantastic idea to ditch proofreaders and editors to save their struggling print publications, which people like me don't read anymore because spelling and factual errors are too damn distracting. Why e-book publishers charge for editing services, yet every single damn book I've ever downloaded for less than $2.99 (or free) was so full of grammatical inconsistencies I couldn't even tell if the writing was actually good.

Written communication matters to me and maybe I'm tilting at windmills. If so, I'll be quixotic until I draw my last breath. Call me pilkunnussija. Or comma fucker. Just spell it correctly.

*This post was sponsored by Grammarly, for which I received a trial period (but since I was hooked at "context optimized synonyms," I'd be telling you all about it anyway).

Writing about writing again, but sometimes confessions are necessary...

“I hate writing. I love having written.” - Dorothy Parker

I bought this from The Rumpus.

I can’t tell if this is too “inside baseball” because many of my friends are writers. We do what writers do: 1. Talk about writing. 2. Procrastinate. 3. Repeat steps 1 and 2.

I AM working on a second book. It has a shape and a focus, but I tend to be “all or nothing” about my projects; if it can’t be perfect, then I don’t want to make the effort. And there are so many important things that need doing. Earlier this summer, I realized I forgot to watch The Wire. So I watched all five seasons in about a month like it was my second job. Then I had to start watching Luther, because Idris Elba.

I put off buying an e-reader forever. I LOVE BOOKS. How could I betray my beloved READING EXPERIENCE with an electronic device? Then I bought a Kindle Fire and it made me feel like I could live without paper forever, even just for the thrill of thinking of a book I once read a million years ago and being able to download it at 1 a.m. and read it. Instant gratification. Writing is not instant gratification. Unless writing a Tweet, which is extraordinarily satisfying. I have written almost 8,000 of them, which in sum total is a book-length work, albeit a boring one.

I still write ideas down in a paper notebook. I also have Evernote on my phone, laptop and tablet. I can’t say that technology has made be more productive (probably the opposite), plus instead of just a notebook full of brilliant ideas mocking me from the depths of my shoulder bag, the mocking comes from multiple sources. I have Tetris on my tablet for some stupid reason. A feed reader of informative blog posts and articles to attend to. I’ve watched 50 episodes of Shin Chan on Hulu in the past three months.

All of this side business (bullshit) means that my notes stagnate, angry, unruly, unattended to: “Hey, um, so…think you’ll get to work on me this weekend? You know, ‘cause you said you were excited about it and all, but here we sit—how long has it been? A month? I know you’ve got all that television to watch and those naps to take and, well, I’m sure that fascinating thing about your ex-boyfriend from a million years ago really needs to get written for your blog. I’m sure all of that takes precedence over, say, the possibility of a review in the Times before you turn 80. Whatever.” My notes are a sarcastic bitch.

It probably doesn’t help that I want my second book to be mine-all-mine, not advice, not for anyone else, my Didion book. And I decided that 45 would be a good age to publish this unwritten masterpiece, which is not right now, but later. Except this one doesn’t want to wait and it isn’t going away. But I push back. I’ve been on central time for three and a half years now and I still can’t get used to prime time television starting at 7 p.m. I have a day job that requires a lot of reading and editing, and it pays the bills, so if I feel like watching four hours of television or staring at the ceiling instead of writing, hey, at least my bills are paid.

Weary of covering my ears and humming every time a new thought surfaces, I set a schedule. I resolved to sit down and use the 5,000 words of notes I have accumulated, turn them into 60,000 words of brilliance, and I will do this for 10 hours a week. Last week, I wrote for one hour (not counting day job related writing or navel-gazing blog writing or Tweets or vaguely insightful Facebook posts). I know it’s bad when things I hate take precedence over my writing schedule: Laundry. Vacuuming, which I do monthly when my dog is at the groomer so she won’t go mental when she sees the Bissell Pet Vac (as in "good for sucking up pet hair," not "good for sucking up pets," but dogs think what they think). Financial paperwork that I don’t care about (someone else can figure out how to roll over my 401(k) into whatever stupid savings thing that won’t cause me to have to pay taxes). Did I already say laundry?

I have coached writers. I know what I am supposed to do when my brain wants to scrub the bathtub and organize the linen closet before I can sit down to write. Those are the thoughts I should ignore. I should sit in front of a blank page and let the words come. I should deactivate my Facebook account. I should stop reading the amazing ideas of others and start writing my own. Physician, heal thyself? I used to think it was weird to see doctors smoking cigarettes or eating fast food, but maybe it’s not weird at all. Maybe it comes down to a choice: Help others or help myself.

So, first step. I will forget the “what ifs.” What if this person gets mad because I wrote a thinly veiled description of a thing that happened a long time ago? What if people judge me? What if I don’t have a second book in me? What if I fail? Then I will find the rational part of me that hates the fact that I am never satisfied with my last great achievement and convince it to hunker down and get to work on a chapter outline.

I’m telling you these things because I need you to know that I am not fragile. You can expect things from me. I won’t flinch, make excuses, or fall apart. This is what we do, my friends. This is what we do, having written. Let's all write like motherfuckers.

Me and my shadow...

A few months ago, on the phone to my mom, I said "we slept in today." My mom said, "WE??" (As in, who is this other person that is a "we" that you've neglected to mention until just this very minute?) The we I referred to was me and my Lulu dog. I don't let men spend the whole night because I don't like to cook breakfast or make morning small talk. And if I did, I probably wouldn't drop it on my mother so casually.

Last week, a friend pointed out that I am "we" with my dog in a way that I've never been with a person, a love, a guy. Then I stumbled across this article on Salon, which puts the woman/dog relationship in such beautiful perspective it made me feel like I knew the person who wrote it because she could be me:

"Tova and I became a "we": We’re moving in the spring; we sleep late on Sundays; we favor cafés with outdoor patios. I’d never been a "we" with anyone else: There had been me and there had been him, and there had always been more him than me. Love meant indulgence. But all those times I made Tova sit for her supper, all those tussles in the dog park that I broke up, all those moments I pulled her to my heel and let the squirrels go by—that was love."
(from "My best relationship is with my dog" by Laura Bogart, Salon.com) 

Like Bogart, I have considered that I might be using my dog as armor, as another reason not to get too attached to another person in my life. An excuse not to make room for someone else. Considered, then dismissed. This is what I want from my life right now. I love the simplicity. I'm rarely lonely, and if I am, it's only for a fleeting second. I listen to friends talk about their relationships and, rather than making me wistful and wonder why I avoid intimacy, it makes me grateful for the every day that I have right now. It's easy to live in the moment when you don't have to work to maintain a marriage or long-term relationship. My dog is not a "stepping stone" to a "real" relationship. In fact, I have made real and lasting connections with other people because of my dog; being out and about with her makes it easy to talk to strangers. She makes it easy for my introvert self to put on the extrovert cloak for a while, gives me a reason to smile at people I pass on the street, and she's a hell of a social dog, which makes it harder for me to be antisocial.

I never thought I would be a dog person. And now I can't imagine not having mine in my life. And this, this one line from Bogart's piece after meeting her dog, brought me back to the cold November night in 2008 when I met my little one for the first time and she buried her tiny face in my neck and I was a goner: "I have no idea what I’m in for, but I’ve never been more certain of anything."

What I do when I'm not here...

Not as much as you'd think. I went to a comedy festival last month and wrote about it for The Austinot. Actually, I turned a review of the festival into a weird observation about comedians and mental illness and why I like comedians.

I read a lot of books over a long holiday weekend. I would list them here, but I can't remember all. Here are some:

Z: A Novel of Zelda Fitzgerald by Therese Anne Fowler (so good)

The Middlesteins: A Novel by Jami Attenberg (also good, heartbreakingly so...)

The Writing Life by Annie Dillard (my third or fourth re-read)

American Wife: A Novel by Curtis Sittenfeld (it's been on my list foreverrrr and she has a new one coming soon)

I am leaving off books I began and stopped reading because I lost interest. I never used to to do that; I really felt the need to finish a book even if it was bad, but now I feel like life is too short to waste time hoping something will magically get better. Also I add books to my Kindle wish list faster than I can read them. 

Watched a lot of television. It seems counter-intuitive, but I read almost as much as I watch TV. I watched the entire fourth season of Arrested Development. It was fun. I liked it. I'm not a critic. It broke my streak of binge-watching everything in the category of TV Shows That Have Been Canceled Even Though They Are Really Fucking Good. Like Fringe. And Alphas. And Touch (actually I'm cool with this one if Keifer is going back to the world of 24; also never really want to hear him say "Jake" or "sweetheart" a thousand times every episode again).

What else? I had brunch a couple of times. Dim sum. Sat on my back deck and watched a monster thunderstorm with big rain and hail one Friday night. Canceled my Match.com membership (see also: life is too short to waste time hoping something will magically get better) . Watched my adorable neighbors' adorable cats while they did adorable things in Switzerland (and brought me chocolate because they are...adorable). Sent my mom chocolate-covered strawberries. Went to the dermatologist expecting to have things removed and had nothing to be removed (see also: developed crush on my dermatologist). Went to the farmer's market in the rain and returned home with fresh peaches and pruney feet. Had some really good dreams.

There's more in my navel to be examined. I miss you.

An imaginary conversation with Elizabeth Wurtzel...

I "get" difficult women. I know a lot of them. I've worked for some and am related to several. I am one. I appreciate the stick-to-her-guns fuck you mentality of not caring (at least, appearing not to care) about what people think about you/her/us.

I read Elizabeth Wurtzel's memoir, Prozac Nation, when it came out. I was in college. It spoke to me. I even saw the movie. It didn't speak to me. In the late 90s, I (still in college) read Bitch: In Praise of Difficult Women. You probably heard me cheering about it at some point. I read her second memoir, this one on addiction, a few years ago. I don't remember a lot about it, but I know I identified on some level. I've never met Lizzie (but in my mind I call her Lizzie because I follow her on Twitter and that's what she calls herself and I think if we met in person she'd be cool about it), but in the past couple of years - since she's popped up again writing pieces for The Guardian and New York Magazine - I've been paying a little more attention. She seemed to drop off pop culture's radar for a bit, and I had the sense that she had gone through something similar to my own (hate to call it mid-life because I know I'll live past 80) crisis. A loss of voice. And these pieces, varied as they were, attempts to find her voice again. Kind of like I've been doing for a while now. Except a lot more public. And with comments. On the internet. It feels like an odd question to ask about someone who wrote a book in praise of difficult women, but I also wondered why all the hating on Lizzie?

She's a little bit older than I am, but I consider her a sort of contemporary. And when I read her most recent piece in The Atlantic, "I Refuse to be a Grownup," I promised myself I wouldn't read the comments. Then I read the comments, or the first 20 or so. I wished I knew her in real life so I could tell her that she's doing the right thing, this writing she's doing to get her voice back. And this is the most "back" I've seen her since the 90s.

If you know me personally, you probably know that I rehearse conversations in my head (and come on, you do too, right?). On my way home from work, during that cursed/blessed worst Austin traffic drive time, I had one with Lizzie. It went something like this:

Me: Hey, so good on you for the Atlantic piece. I hope you didn't read the comments.
Lizzie: (leaves her sunglasses on, which is fine because I am kind of the sophomore to her senior in this scenario) Nope.
Me: I mean, I don't know who has time...but the one from the "TL:DR what's the point?" guy...he didn't even read...
Lizzie: I don't read the comments. I don't care what people think.
Me: Hey, that's really great...so, you of you. There was that one "psychologist" who comment-diagnosed you with narcissistic personality disorder and that isn't even a thing anymore; it's not even in the latest DSM...
Lizzie: (icy silence)
Me: I wanted to tell you that I get it. I hate that you have to see criticism all over the freaking internet when you're just being honest, I mean who isn't a narcissist? What's wrong with not wanting to grow up? For those of us who choose not to get married, not to have kids, to remain emotionally...um, I want to say... immature? Why do people care so much?
Lizzie: I don't. So I wouldn't know.
Me: I wanted to say that I'm on your side. Write all the crazy. Just write. Let the haters hate and do it anyway, even if it's just for lines like "I wish people were judging each other a great deal more, and more carefully, but they are not. Knowing this, I have no trouble being myself. It works well. I will die screaming." BECAUSE ME TOO, LIZZIE, ME TOO.
Lizzie: Calm down. (exhales vapor from her e-cig)
Me: OK, so I'll let you go, but just one more...
Lizzie: No.
Me: DidyoutotallyfreakoutthatChristinaRicciplayedyouinthemoviebecauseherforeheadOMGherforehead...
Lizzie: No.

And that was it. She probably wouldn't like me in person. Nor should she. I wanted to tell her about that one time I was on Prozac because my best friend died when I was 23 but it didn't work and how my mom is a therapist and told me the worst thing with mental health issues is to "be in the system" so I always made sure I saw private shrinks, off insurance, sometimes under assumed names, and I think talk therapy is overrated and that most people think I'm younger than I really am too because I don't really have responsibilities, but I do have one cat and one dog just like she does but the cat has hated me for 14 years now and also sometimes I am ridiculous too. When people grossly underestimate my age, I assume it's not based on my appearance, but on my behavior. I don't behave like a person who has the weight of other people's problems on top of my own, rather, I behave like a person who thinks her problems are the only important ones. And, BAM!, right back to narcissism.

Hate her or don't. Hate me or don't. I have had worry. I have had grief. I have had despair. None of these things permanently damaged me. Not even a line on my forehead (yet, but totally fine when it does happen, because it will). So to the critics, to the commenters and trolls, to anyone who cannot follow her stream of consciousness while she reaches for the voice she might think she lost by detouring to law school and relationships and doing things other than writing - pay attention. You're not. She is. And she says it better than I:

"Nothing is more bracing than not being concerned about what other people think. I have no idea why anyone cares. Trust me: No one is looking. I know: I am looking. People are self-involved."

p.s. If you don't know who Elizabeth Wurtzel is or if you were in a coma in the 90s, here are all the Tumblr posts in the world tagged with her name. Enjoy.