Just because it's fiction doesn't mean it's not real...

All writing is personal. And sometimes the best writing feels awful. I cut my teeth on personal narrative, though I didn't know that's what it was called at the time. I've written lots of fiction too, way more than the occasional short stories published in rather obscure literary journals. I even have a novel in a box, where it will probably live forever. Once I became accustomed to "letting it all hang out" with my writing, I needed fiction less and less often. 

A longtime friend and I have a running joke that came from the movie Postcards from the Edge (based on a book by Carrie Fisher). Whenever we have an experience that causes extreme public or social embarrassment, we shake it off with "it twirled up." In this scene, the daughter accuses the mother of inappropriate behavior. Her response? "IT TWIRLED UP."

When I coach writing clients who are working on personal narrative or memoir (or blogs), I often tell them that hitting "send" or "publish" for the first time is going to feel terrible. It's going to feel like your skirt blew up in public and everyone saw your panties. You'll feel exposed and vulnerable. And then you'll get used to it, eventually.

In the past few years, I've written more fiction than I did in college intensives. More than the novel in a box. It was a panacea for feeling like I lost my sense of humor, the tongue-in-cheek voice I had taken for granted for so long. Shit wasn't funny anymore and I had no distance. A therapist suggested I write about everything, but do it in the third person. So I did. And it made me remember why I started writing fiction in the first place. 

With personal narrative, especially humor, hyperbole is acceptable and expected. But it's still oops-it-twirled-up honest. Fiction gave me the freedom to tell the story any way I wanted to, to end it any way I wanted to, and the distance I needed so that it wouldn't make me sad. I've heard other fiction writers say that their work has no basis in their own lives, that it's entirely made up, and I believe them. Sort of. I have fiction writer friends who openly admit their stories are thinly disguised events from their lives. Joan Didion's fiction was (though she's better known for memoir). So was Nora Ephron's, Heartburn in particular. 

In the spirit of twirling up, for every writer I've ever encouraged to push "send," I'm going to share a cringe-worthy (at least to me) snippet of a short story that was published several years ago in a now defunct literary journal. The story is called "Running Away." 

Following suddenly interested in running father to country club track. Watching him on the pay phone from a distance. Healthy, running 5Ks and marathons and away. From my mother, with her quiet cancer. From four daughters with their female neediness. Running away from same, same, same houses on a military base where class mattered less than rank. His poor farming family. An Irish mob of a family in a tiny New York town across the Saint Lawrence River from Kingston Ontario. From dirt and poverty. Weekday mornings in his officers uniform, snapping his collar, snapping at females and poodles and leaving behind a sickeningly sweet cologne cloud.

Weekends, already getting fat at age nine, I put shorts and sneakers on. Followed him out of the house in the early dawn. Ran several yards behind him, knowing he saw me and only that he didn't order me to return home. Running to catch up. Running the miles around the houses on base until he stopped. In the lot of the officer's club. There was a pay phone outside. He held up his hand, motioned for me to turn back, left me behind until he was out of earshot, picking up the phone, cradling the receiver with his back to me. I wait. Stretch. I know. I know everything.

I would prefer this story die with it's out of print, never digitized publisher. It's awkward and weird and I think I was 22 or 23 when I wrote it. But fiction? Sure. Why not? From the age of 11, when my biological father left my mother the day after Christmas to move in with his girlfriend and start a new and improved family, I told people my father was dead. That I never knew him (this is true, and he might actually be dead now because I haven't had contact in years). It was easier than the complicated truth, that he left our family while my mother had just begun treatment for cervical cancer, that the only thing that saved us is that he was in the military and thus forced to pay child support. That he wanted nothing more to do with us. This fiction was the part of me that admitted the hurt and the guilt of knowing just how long before the leaving that the moving on began. 

This is a story I will never be able to tell as my own narrative, but it can still be told. It is not something I still grieve over. I've had a lot of good experiences in my life with men, fathers of friends, that showed me that men can love their daughters even though mine didn't. My "daddy issues" are no worse than most. I stopped trying to replace him a long time ago, around the time this story was published, maybe even because it was published. 

Writing is how I choose to heal, whether the words are truth or revisionist history. I could have made the story end in a different way, made my father a different man. I could write it three more times and have three different trajectories. But I don't have to because it's out there and it doesn't matter anymore. All of this is to say: I hope you get to know what it feels like, even just once, to let it twirl up. 

Writing about writing again, but sometimes confessions are necessary...

“I hate writing. I love having written.” - Dorothy Parker

I bought this from The Rumpus.

I can’t tell if this is too “inside baseball” because many of my friends are writers. We do what writers do: 1. Talk about writing. 2. Procrastinate. 3. Repeat steps 1 and 2.

I AM working on a second book. It has a shape and a focus, but I tend to be “all or nothing” about my projects; if it can’t be perfect, then I don’t want to make the effort. And there are so many important things that need doing. Earlier this summer, I realized I forgot to watch The Wire. So I watched all five seasons in about a month like it was my second job. Then I had to start watching Luther, because Idris Elba.

I put off buying an e-reader forever. I LOVE BOOKS. How could I betray my beloved READING EXPERIENCE with an electronic device? Then I bought a Kindle Fire and it made me feel like I could live without paper forever, even just for the thrill of thinking of a book I once read a million years ago and being able to download it at 1 a.m. and read it. Instant gratification. Writing is not instant gratification. Unless writing a Tweet, which is extraordinarily satisfying. I have written almost 8,000 of them, which in sum total is a book-length work, albeit a boring one.

I still write ideas down in a paper notebook. I also have Evernote on my phone, laptop and tablet. I can’t say that technology has made be more productive (probably the opposite), plus instead of just a notebook full of brilliant ideas mocking me from the depths of my shoulder bag, the mocking comes from multiple sources. I have Tetris on my tablet for some stupid reason. A feed reader of informative blog posts and articles to attend to. I’ve watched 50 episodes of Shin Chan on Hulu in the past three months.

All of this side business (bullshit) means that my notes stagnate, angry, unruly, unattended to: “Hey, um, so…think you’ll get to work on me this weekend? You know, ‘cause you said you were excited about it and all, but here we sit—how long has it been? A month? I know you’ve got all that television to watch and those naps to take and, well, I’m sure that fascinating thing about your ex-boyfriend from a million years ago really needs to get written for your blog. I’m sure all of that takes precedence over, say, the possibility of a review in the Times before you turn 80. Whatever.” My notes are a sarcastic bitch.

It probably doesn’t help that I want my second book to be mine-all-mine, not advice, not for anyone else, my Didion book. And I decided that 45 would be a good age to publish this unwritten masterpiece, which is not right now, but later. Except this one doesn’t want to wait and it isn’t going away. But I push back. I’ve been on central time for three and a half years now and I still can’t get used to prime time television starting at 7 p.m. I have a day job that requires a lot of reading and editing, and it pays the bills, so if I feel like watching four hours of television or staring at the ceiling instead of writing, hey, at least my bills are paid.

Weary of covering my ears and humming every time a new thought surfaces, I set a schedule. I resolved to sit down and use the 5,000 words of notes I have accumulated, turn them into 60,000 words of brilliance, and I will do this for 10 hours a week. Last week, I wrote for one hour (not counting day job related writing or navel-gazing blog writing or Tweets or vaguely insightful Facebook posts). I know it’s bad when things I hate take precedence over my writing schedule: Laundry. Vacuuming, which I do monthly when my dog is at the groomer so she won’t go mental when she sees the Bissell Pet Vac (as in "good for sucking up pet hair," not "good for sucking up pets," but dogs think what they think). Financial paperwork that I don’t care about (someone else can figure out how to roll over my 401(k) into whatever stupid savings thing that won’t cause me to have to pay taxes). Did I already say laundry?

I have coached writers. I know what I am supposed to do when my brain wants to scrub the bathtub and organize the linen closet before I can sit down to write. Those are the thoughts I should ignore. I should sit in front of a blank page and let the words come. I should deactivate my Facebook account. I should stop reading the amazing ideas of others and start writing my own. Physician, heal thyself? I used to think it was weird to see doctors smoking cigarettes or eating fast food, but maybe it’s not weird at all. Maybe it comes down to a choice: Help others or help myself.

So, first step. I will forget the “what ifs.” What if this person gets mad because I wrote a thinly veiled description of a thing that happened a long time ago? What if people judge me? What if I don’t have a second book in me? What if I fail? Then I will find the rational part of me that hates the fact that I am never satisfied with my last great achievement and convince it to hunker down and get to work on a chapter outline.

I’m telling you these things because I need you to know that I am not fragile. You can expect things from me. I won’t flinch, make excuses, or fall apart. This is what we do, my friends. This is what we do, having written. Let's all write like motherfuckers.

Public vs. private...

I was lucky enough to attend Sara Benincasa's "Agorafabulous" show at Theatre 99 on Friday night. My friend Jason wrote a great piece about her in last week's City Paper and I got to be his plus one (Thanks, Jason!).


To sum up: Sara has agoraphobia, struggled with it for years, and turned it into a comedy routine. I, being a firm believer in handling most of life's challenges with humor, admire the sh*t out of her. After reading Jason's CP piece and a little more on Sara's blog, I knew I had to see the show. And I wasn't disapppointed. You can see a clip from Friday's show and read more about Sara here.

Why this was important to me: I've written personal narrative for years and have turned some of the most painful episodes in my life into humorous pieces. I'm flippant, irreverent, and capable of laughing at myself in most instances. But there are a few "no touchy" subjects for me and panic disorder is one of them.

Like Sara, I had my first panic attack at the age of 18. I didn't know it was a panic attack, but I spent a lot of time over a three-year period going to emergency rooms trying to convince them that I was having a heart attack. I was called histrionic, dehydrated, hooked up to saline IVs and sent home, and finally diagnosed with Mitral Valve Prolapse, or MVP - a common heart condition that about one in four women have, but tend to grow out of in their 20s (I did). By the time I was 21, I was frustrated, self-medicating, and nearly incapacitated by panic attacks that were becoming more and more frequent. Four MDs, two shrinks, and two years later, I was finally given a diagnosis of PTSD (something else I haven't written about because I haven't been able to remove myself enough to find the humor in it). I began taking medication for panic disorder, but discovered I didn't need it long-term, because once I knew that I was only having a panic attack and that I wasn't going to die, I was able to use some of the coping skills I learned in therapy to talk myself down.

One of the reasons I haven't written very much about this is because there is such a stigma associated with panic disorders. I had too many doctors (and friends and boyfriends and acquaintances) tell me "it's all in your head" or "you're being a hypochondriac" that I just stopped sharing. I also stopped going to therapy and went for almost 8 years without a panic attack - through the latter part of my 20s. There was a part of me that even believed I could overcome it with sheer willpower. I'm not a weak person and one of my biggest fears is having other people think I'm weak.

After years of being panic attack free, I started having them again after 9/11, again after my grandmother passed away in early 2003, again after I lost two of my best friends in 2003. It was right around this time that I began seeing a new therapist who really knew her sh*t - in fact, she gave me some information about new research linking MVP to panic disorder. Even with the mild type I had, the MVP "episodes" can trigger a fight or flight response that in turn triggers panic attacks. We also started working on the overall issue of PTSD, and my anxiety became managable once again.

I can't say at this point in my life that I will never again have a panic attack. The few that I've had in the past year or so have been what my therapist calls "situational," meaning that something bad happens in my life, I stop taking care of myself physically as a result, and end up sitting in my car outside of Harris Teeter, unable to drum up the courage to enter the store because I'm sitting in my car having an anxiety attack. Driving is another trigger for me. I've had to pull over to the side of the road because of an anxiety attack. I've also woken up in the middle of the night with night terrors that trigger an attack. I don't take daily medication because antidepressants really didn't work for me; plus I tend to (luckily) have very long anxiety-free periods of time, so I use Xanax as needed.

Back to the show: I was amazed that someone who experienced panic disorder that was severe enough to manifest as agoraphobia could take her situation and turn it into a routine that literally had the audience cackling for an entire hour like Sara did. I admire her for that, I admire her for sharing her most painful moments, and for being open about the fact that she takes medication and credits it for saving her life. I think if more people spoke openly about it, there wouldn't be such a stigma attached. And it also helped me see that eventually I'll be able to write about my own experiences with humor, because I saw that there is a lot of funny to be mined there.

My close friends know about my own history. And the few others I've shared it with are always amazed - I usually simplify it by just saying "I'm slightly socially phobic" - because they've read my essays for years and that Kelly Love Johnson is fearless. I'm a lot more comfortable now than I was 10 years ago explaining that the Kelly who writes those essays is my public persona, like a costume I can put on when I want to, and she is fearless. But the private Kelly is just as screwed up as everyone else. She has self-esteem issues. She doesn't like to make small talk. She is not a fan of crowds. She's had insomnia since high school that is entirely anxiety-based. She's afraid of flying, travel, highway construction, frogs, the ocean, hurricanes, the extreme Christian Right, aging, showing weakness, and homelessness. She also hates writing about herself in the third person.

I think what Sara did with her show is merge the two - her public and private Saras. And I hope to be able to do that myself someday, without judgment, without fear, and hopefully with a few laughs.

And one last thing: When I got a note via Facebook from Sara herself telling me she was a fangirl of mine and has been reading my essays for years, I almost fell out of my chair. It's the most flattered I've been in months and I think I'm going to spend the entire weekend riding that high.

What matters is saying yes...

When people ask me how to get their articles/essays/books published, how they can get a job like mine, how I get my ideas, or how they can write for a living, I never know what to say. I spent a long time not working on my own projects and resenting and being jealous of the creativity of others. A couple of years ago, I read the following quote:

"Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a f***load of work to be open-minded and generous and understanding and forgiving and accepting, but, Christ, that is what matters. What matters is saying yes."
~Dave Eggers, The Harvard Advocate

Now every time I hear that little voice in my head telling me I can't do something as well as this person or that person, or that it's going to be a long time before I'm the next Joan Didion, I respond with a simple "yes." Forget everyone else and focus on your own. Eggers is right; it is a lot of work. But it's worth it.

Hate. Springing. Forward.

This time of year always gives me a case of the Mean Reds, and I've felt this one coming on for weeks. The change in seasons, the getting up earlier, the morning darkness, the spring in the air that makes me feel afraid and disturbingly nostalgic for things I don't want to think about anymore.

Since my life is in total disarray (I'm not exaggerating), I'm trying to decide which would be more effective: finding a new shrink or re-hiring my cleaning lady. They both cost about the same, but the shrink won't clean my house or fold my laundry or make the dust bunnies in the corners go away. On the other hand, my cleaning lady won't tell me to get the f*ck off the couch and start living my life. Or figure out why I go through these phases of hating myself that literally incapacitate me.

I detest myself even more for complaining, because so many other things in my life are so great. I have everything I've wished for since I can remember. I have wonderful friends & family, a job I adore, and a book deal. I have more things to be grateful for than I ever have in my whole life, therefore I suck for lying on the couch all weekend watching old episodes of Grey's Anatomy on DVD and weeping every 45 minutes or so.

I know it isn't depression; it's fear. Fear of death, success, loss, letting go, failure, dirt, outdoors, people, food, life...everything is worthy of dread. The good news is that I've been here before and I know it won't last. I always get through, push it aside, suck it up, and move on with my life. I need a good yoga class, bike ride, shopping spree, house cleaning, or sharp rap to the back of my head to get going again. And I think I'm going to try and make all of those happen this week.

"... the blues are because you're getting fat or because it's been raining too long. You're just sad, that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling?"
~Holly Golightly, Breakfast at Tiffanys

Grudge Match '07: Desired vs. Required

In 1998, I bought this Jenny Holzer sign from the gift shop at the San Francisco Museum of Modern Art.
I've kept it around me for almost 10 years, moving it from office to home office to another office and another. Every time I look at it, it reminds me that it's OK to want things that are bad for me, as long as I don't act on those desires.

By desires, I mean everything from fried food to binge drinking to speeding to getting involved with inappropriate men. These things are bad. You'd think I would have stopped wanting to hurt myself by now, but I haven't. Want and Need fight it out every so often. Last year, it was sugar. Before that, alcohol. Before that, it was him...or him...or him. I can want them, I can talk about them, but I don't need them. I have to protect myself from those desires. I require safety and security and comfort, but what I want never seems to involve any of those.

This is my talisman. Because I will always find something that I'll want to do without a net.

"Sometimes it is harder to deprive oneself of a pain than of a pleasure." ~F. Scott Fitzgerald

And then the house whispered, "GET OUT"

I arrived home last night in a foul mood around 7:30 after an excruciating three-hour meeting with my accountant (she is a lovely woman; I just hate dealing with money). I noticed a large-ish fur ball on the dining room rug (Miss Kitty likes to leave those around), felt uneasy about it, and turned the light on to discover a MOUSE. A real mouse, not a play mouse, curled up on its side.

My first reaction: Scream. But I didn't, because I'm an independent woman who is perfectly capable of ridding her house of bug and pests. I circled the mouse, holding my breath so I wouldn't scream and scare it in case it was still alive. It wasn't bloody; it looked like it was sleeping. But in the middle of my dining room floor? I know Miss Kitty had nothing to do with its demise, unless it died from fright as she stared at it. She won't chase her toy mice, so I know she won't go after a real one.

So I walked back and forth, thought I'd call Michael, remembered he was in Houston, peeked at the mouse again, tried not to scream again, thought about holding a mirror near its face to see if it was breathing, started hyperventilating. Decided to go out front and check my mail (in hopes that Rodent Monthly magazine had arrived and it would tell me how to dispose of mouse? I wasn't thinking clearly). My neighbor happened to be taking his trash out at that exact moment. He said "Hey" and I blurted, "THERESAMOUSEINMYHOUSE!" I think he said something like "I'll handle it" or "is it dead?" and then asked me for a broom and dustpan. I stood in the corner, trying to suppress my shrieking so I was holding my breath, but when he went to pick it up he jumped back and I SQUEALED(seriously) something like "OHMYGODISITALIVEIT'SGOINGTOGETME."

Neighbor didn't seem fazed. He got it into the dustpan and took it outside. When I took the broom and dustpan back, I asked him if it was dead. "I don't know, I just flung it across the street."

Jesus. That means it could COME BACK. Did I want him to bash its little mousy brains in? Maybe. I thanked him for the mouse removal, went back into the house, found my xanax, went into the kitchen to get water to take the pill and discovered that my kitchen sink was BACKING UP WITH BLACK SLUDGE. In less than 10 minutes, my house had turned from Shiny Happy Place Theater to Amityville Horror. I tried the garbage disposal and only got more black sludge and dirty water. I dry-chewed two xanax and decided I'd better start bailing the sink out before it overflowed.

I bailed into a bucket, was afraid to dump it outside BECAUSE OF THE MOUSE, so I dumped it in my bathtub, which promptly backed up. It was right around this point that I started checking the other rooms of the house to find out what demonic possession had overtaken them. If my fridge magnet letters had rearranged themselves to spell "you're dead" or if I'd even IMAGINED hearing "GET OUT" I would have run screaming from the house (after I grabbed Miss Kitty) with no shoes or jacket on.

I only got about four hours of sleep last night because I had to keep getting up to check for rodents and/or demonic sludge bubbling up from my drains. Not to mention the shame spiral I created by having to ask for help because I was afraid of a teeny little mouse.